Monday, December 10, 2012

An Interview with Lisa Walker England

Here is an interview that I had with Lisa Walker England. England is author of an e-book Rise of the Tiger (the book can be read on http://riseofthetiger.com/)  She also works at Storyteller & Strategist at Flipeleven, the world’s most incredible digital agency mentors new storytellers at the Art Institute of Wisconsin.

1. How can you present a Christian worldview through books and films while still producing a quality product?


Well, I'm going to differ  here from what most people would tell you. In my experience, there are two necessary things we must do, to do present a Christian worldview AND produce a quality product.

The first thing is for Christians to quit lying about the realities of life in a sin-cursed world. Most Christian art is fundamentally dishonest. (Not intentionally, but it's a byproduct of Christians trying to whitewash realities so their "sensibilities" are not "offended.") The reality is, most of us (particularly fundamentalists) live in a bubble we've created. We shut the world out, rarely rub shoulders with unsaved people, and hide from all streams of secular media. 

Then, for some reason, inside that bubble, we try to write fiction that speaks Christ's truth about the very ugly world we literally know nothing about. The result is a fundamentally dishonest kind of art that portrays the world as we wish it would be--not as it really is.

This doesn't mean art has to be gratuitous. But it does need to be honest.

In real life, people rarely fall on their knees and get saved in the third act. Sin issues like rape, drug addiction, murder and other serious wrongdoing are rampant, and good doesn't always triumph over evil (at least in this life). But these types of perspectives are rarely ever examined in Christian art, for fear of offending parents with small children, or very conservative churches. Most unsaved characters are reduced to mere caricatures, with "alcoholism" being the prevailing vice that demonstrates their degenerate state. (As a Christian profesional working in a secular environment, I can't help but chuckle when I read many Christian novels. The portrayal of secular life is incredibly naive.)

That is not the world I live in. The world I live in is far, far worse. And by contrast, the Gospel is all the more beautiful when it shines into that darkness. We write about good people who get better, not dead people who need life. 

Simply put: The Bible doesn't lie about depravity. We shouldn't either.

The second way to create a quality Christian-infused product is to learn what a quality product is. Unfortunately, most Christian novels and movies are poorly constructed and shallow. But Christians study those novels and movies as their guide to creating their own art. The result? More shallow art. A well-told biblically honest story deserves the highest level of craft. In order to master that craft, an artist must be willing to study the great art -- both fiction and film -- from around the world, and see how that art touches the heart of humankind to leave a lasting impact. Often times, a single classic secular film or novel offers more beautiful depictions of biblical truth than an entire shelf of bad Christian fiction or movies.

2. What are some difficulties in creating such a product?

Well, I think some of the difficulties. I covered that above. Overall, the Christian community (in my experience) is afraid to truly honest Christian art, and truly beautiful Christian art. We want shallow, sugar-coated stories that conveniently bend all of the events to reinforce the spiritual point we've already decided for the story. That's not art, that's propaganda.

I've found it far more powerful, spiritually engaging and effective to create honest, gritty art that speaks the realities of Biblical truth through a portrait of our fallen world. The art may or may not portray people going to church, reading their Bibles, etc. Regardless, it's the kind of art that opens doors for me to talk to unsaved people about spiritual issues and about my own faith.

Unfortunately, it's also the kind of art that is not welcome in many churches, schools and Christian organizations. it's just not black-and-white enough.
 
3. What benefits can be reaped in producing a Christian product of good quality?

Our God is a God of order, beauty, perfection, and holiness. He deserves nothing less than the best quality offering we can give him -- and as writers, our work is an offering, a sacrifice of time, talent emotional investment and toil in the footsteps of his creative act. The main benefit of producing this product is that we do our best service to God.

From an economic perspective, though, it's somewhat sad we even have to ask this question. Because: in the secular world, quality is rewarded. Period. In the Christian world, if you have "good intentions" or a "heart-warming message" people will overlook bad quality. Try that in Hollywood, and you'll be laughed out of the office. While Hollywood can also be overly harsh and a very difficult place to do art, it is also a great crucible for refining your talent and being driven to create the highest possible art you can--because nothing less will be accepted than the best among all options.

**Note: If I sound terribly cynical about the state of Christian art, it's because I am. I've had numerous experiences--shocking ones--with Christians who wanted me to literally be dishonest about a particular situation, or force a biblical moral into a story that was more spiritually powerful using metaphor or even silence to convey the point. As a Christian artist, I've turned my efforts to working on quality projects that honestly convey my faith -- whether or not they portray an overtly Christian main character. I also love the fantasy genre for its aptitude to present spiritual allegory, and I find ways to work on fantasy projects wherever I can, to be a light and testimony to the people I collaborate with. And it's worked -- I've had so many opportunities to witness to people through these means. When it comes to fellowshipping with other Christian artists, I tend to gravitate toward those who share similar concerns for the state of Christian art, and have chosen to work in the secular industry 1) to be a witness and 2) because they simply get to work on better-quality projects. I'm affiliated with a community doing just that. It's called Act One, and it's located in the heart of Hollywood. You can read more about their amazing ministry here: www.actoneprogram.com

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